unme koi pure bihar ka don banne ki ichha aur aukaat nahi. The people shown are not hardcore criminals, woh log thori gaand masti karte hai, sochte pure fimli style se hai ke mein teri le loonga, badala chahiye, main don hoon but woh thori bahut jutampaijaar aur oneupmanship mein khush ho lete hai, kyunki unki duniya sirf Wasseypur tak hai.
#GANGS OF WASSEYPUR 2 ENDING MOVIE#
The movie is Gangs of "Wasseypur", its not sholay or a revenge story something on the lines of RGV RC 1 and 2. The apt title for the film should have been 'Gangs of Bhosdapur' because anurag is simply too much obessesed with the ‘Bhosdaa’ of the woman and the “gand” of the man.There is hardly any revenge or gangster politics in the film.Its just Bhosdaa out there! Reply Delete I replied “Tu shuru ki kab hua? seedhe part 2 hi banata”. In the climax, Anurag is again reminded of the basic story so Manoj talks about the revenge thing again but its too late by now as 2.5 hrs have passed. Trishul is being watched in theatre in 1985. Then there are chronological errors too in the film. May be I need to give them some tutorials on abuses. But even there he doesn’t quite succeed bcos it seemed as if everyone in wasseypur only knows one abuse ‘bhosdi ke’. To compensate for the lack of drama, Anurag has filled the movie with unnecessary profane language.
If you thought GOW is about gangster revenge drama and politics, you are more wrong than right. I mean who is interested in watching Manoj Bajpai in speedos! At times Anurag is reminded of the core story, so after all the perverted timepass scenes, he would add few scenes relevant to the plot. Now few such scenes are alright but there is a limit to irrelevance. The film forgets the conflicts with the Quereshis and the Hindu MLA and focuses on the affair of Manoj and his Bengali whore.
Instead he is chilling out in the film, he seems more interested in having sex with his wife and almost every other woman. After his death, the film loses its way.Manoj Bajpai’s character speaks how the revenge of his dead father is the sole aim of his life but never quite shows the urgency towards it. The character of Bajpai’s father is written pretty good who is a pathan. The historical references were blended with the story quite well. GOW was basically meant to be a revenge film.The first 20 mins or so are very engaging. If all that weren’t enough there is also Yashpal Sharma in a cameo dancing and singing at a wedding. It makes for a righteously angry, yet joyous story because Kashyap fills every moment with song and life - Womaniya plays to the backdrop of Bajpayee finding lust at first sight in the form of Reema Sen’s glistening kamariya Keh ke lunga is juxtaposed with violence while the Calypso I am a hunter is mixed with a character smuggling guns in a train. Later a hapless cop investigating a murder finds a finger in a butcher’s den and is made to walk away or mix with the dead meat lying around. In another scene Bajpayee repeatedly stabs someone and drifts around as if playing kabaddi.
In one scene a local goon is made to watch his brother getting shredded to pieces - the slaughter occurs off camera but you are left cringing at the sight of the goon’s face reacting in horror. There is violence, a lot of it, the gritty, unsettling kind, not the bloody in-your-face flying limbs variety, and it is kept firmly in its place and never allowed to take over the story like in Rakta Charitra.